No More Heroes...

Who are your heroes? Are they the same as they were when you were younger, or have you outgrown them? I've been pondering this myself for a while, since Michael Jackson died. Not that Jackson was ever a hero of mine...

What is a hero? To me, a hero is a person who exhibits qualities that puts them above others in any field, be it sports, music, art or writing. When I was younger I had a few heroes, people that I respected, who I felt had a talent that lifted them up to the highest heights, who became, for want of a better phrase, gods. Sadly, I now feel that most of those people have let me down.

Let's get down to specifics. Sixteen years ago, I wrote a list of "The Gods":

1. George Lucas
2. Jean Michel Jarre
3. Jim Henson
4. Green Gartside (from Scritti Politti)
5. Jim Aparo
6. Alan Grant
7. Gene Roddenberry
8. Nik Kershaw
9. Arthur C. Clarke

(Looking back, I would probably add Terry Pratchett and Madonna to that list, but didn't at the time. Poor old Nik Kershaw has "demi-God" in brackets after his name, so he wasn't obviously totally in favour at the time.)

Anyway, looking at that list now, would I still consider them heroes? By that tag, I mean that they are still as important to me as they were then, that they haven't put a creative step wrong, that they are still, well, Gods, and not mere... people. It's harsh, but there you go.

So, 1. George Lucas. Well, it was all going so well until 1999, wasn't it? His position in the pantheon looked assured, the Special Editions of the Star Wars trilogy could be seen as an indulgence, rather than a mis-step, but then Star Wars: Episode I - The Phantom Menace came out. The fall to mortality wasn't immediate, but the creeping feeling grew that the halo had slipped... (See I Blame Rick McCallum for more details!) Mortal.

2. Jean Michel Jarre.  In 1992, one of my favourite Jarre albums, Chronologie had come out.  In 1993 I went to see him at Wembley Stadium and I thought his reputation had been sealed, but in the intervening years, he's produced few albums of such magnificence, but has been reworking his old stuff, making little "art" albums and then the appalingly bad Téo & Téa "dance" album.  I blame the fact tha he's not married to Charlotte Rampling anymore.  The woman must have been a good influence which he's now sadly missing... Mortal (though fingers crossed for the future!)

3. Jim Henson.  Untouchable.  His sad and untimely death in 1990 meant that he could no longer prove himself fallible. (Unfortunately his death proved his mortality though...) The body of work created by him in his lifetime stands firm.  His legacy, and the future worth of the Henson Organization remains to be seen. Hero.

4. Green Gartside. Just when I thought nothing would ever be heard again from Mr. Gartside, in 2006, he pulled out his best album since Cupid & Psyche '85 in the form of White Bread Black Beer, a self-produced, minimalist album of pure loveliness. Hero.

5. Jim Aparo and 6. Alan Grant. Look, I was a big comics fan in the 1990s, especially a Batman fan, so this classic artist and writer duo got included. Still like their work, but haven't read a comic in anger for nearly a decade, so I can't really say if they're still heroes. Probably. Though I'd have to veer towards Frank Miller and Alan Moore for their work on The Dark Knight Returns and The Killing Joke respectively.

7. Gene Roddenberry. The man had a vision and a commitment to get Star Trek made and to keep it going in the '80s and '90s with Star Trek: The Next Generation. His death in 1991 didn't stop the franchise, and his legacy, as proved by the huge success of J.J. Abrams' big screen reboot Star Trek this year. Hero.

8. Nik Kershaw. OK, so he's not as big a star as he was in 1984, but Mr. Kershaw keeps putting out songs of wit and intelligence on his own label, making albums such as 2001's To Be Frank and 2006's You've Got To Laugh. Hero, just for doing what he does.

9. Arthur C. Clarke. The greatest Science-Fiction writer ever. Prescient and talented and just a fantastic writer. Hero.

And Terry Pratchett.  His writing gets better and better all the time, despite a dip in the Soul Music/Hogfather years and unfortunately his Alzheimer's will probably get him before he gets a chance to make the fall from grace. Still a hero. Always a hero.

Madonna. The only woman on the list, but unfortunately now very much a mortal. Like Jackson, her heyday is well past now, but no one seems to have told her. She keeps churning out the same sub-R&B drivel, but people still seem to like it. So maybe it's just me, but she hasn't done anything good since 1998's Ray of Light (and actually, looking at the sales figures, a lot less people like it...). Mortal.

So, there you go. Most of my heroes are only still my heroes because they're dead. If I had to write such a list now, I'd definitely include Joss Whedon for his work on Buffy, Firefly/Serenity, Dr Horrible and Dollhouse and for being a funny, horribly talented genius. I'd also include John Lasseter and all the team at Pixar for neverfailing to entertain and amaze.

Funny, but all my heroes come from the creative world. No sports people and no politicians. Hmmm....

Rendez-Vous

Seriously, if you haven't heard this album, then you have no excuse not to hear it now. You can get Jean Michel Jarre's incredible 1986 album Rendez-Vous for only £3 as an MP3 download!

It's majestic, fantastic, awe-inspiring, eerie, beautiful, and wonderful. Go buy it now, and tell me what you think! (You can also get Oxygène for £3 too!)

10 Random Songs

So here's what you do. Fire up your iPod or iTunes (other music players/programs are available), and set it to Shuffle Songs from your entire library (no cheating by choosing a cool playlists). Then you have to list the first ten songs that come up, who they're by and what album they're from. No skipping! Then just write a few lines about that song - if you like it, any memories attached to it... And then post it and tag some friends!

1. "Je Sais Pas" by Céline Dion from D'eux - Great start... In my defence, it's my wife's album, but it is probably the only credible album Céline Dion's done, and this song ain't too bad. Don't feel the need to skip on...

2. "Satin Chic" By Goldfrapp from Supernature - That's a bit better! A nice glam pop song with a honky tonky piano. Not as good as some of their other stuff, but nice enough.

3. "Dream Of Me" by Orchestral Manoeuvres in the Dark from The OMD Singles - A track from a compilation album. Quite good, but not as good as the singles.

4. "Knight Rider 2000" by Jan Hammer from Drive - The very cool theme from the Knight Rider 2000 TV movie from the guy who did the Miami Vice music. Not as cool as the original Knight Rider but cool nonetheless. In a jazzy, piano bar kind of way.

5. "Snow Cherries from France" by Tori Amos from Tales of a Librarian - Tori doing her thing. Unremarkable but quite nice. (Ugh. I have a bland music library from this little selection...)

6. "Who's Gonna Ride Your Wild Horses" by U2 from Achtung Baby - That's better. A great track from an excellent album. Reminds me of being in a Youth Hostel in Orange County, California, eating cheese left over from a ploughman's and chips at the English Pub down the road. This was one of the CDs left in the hostel. I listened and loved.

7. "Without You I'm Nothing" by Placebo from Without You I'm Nothing - Ah, a bit of pre-millennial angst. Nice. Goes on a bit though...

8. "Spies" by Coldplay from Parachutes - Don't know how this got on here.... Music to fall asleep to....

9. "Strange But True" by Prince (for arguments sake) from Rave Un2 The Joy Fantastic - Nice little funky track from one of the purple one's less successful albums.

10. "Halloween" by Kirsty MacColl from From Croydon to Cuba... An Anthology - Ah, the sorely missed Miss MacColl. She had some great songs, and I don't remember hearing this one before.

Friday-Night Blog: Me and the Manics

The handy-dandy iLike application in Facebook informed me this week that the Manic Street Preachers are playing the Roundhouse in Camden in a few weeks time, which got me thinking about the Manics... (see, it's not just thrown together, this. Literally minutes of thought go into it. OK, it's a bit late this week, but hey, I'm only human. Don't see any of you trying to write a weekly blog post... Come on then... You do it if you think it's so easy.... Sheesh. Ahem.)

So anyway, me and the Manics have a very strange relationship. I've been a fan of them since very near the beginning of their careers. I'm not saying I was there at the release of the New Art Riot EP, but, I'm sure I've liked them since Mark and Lard used to play "You Love Us" (and then hijacked it for their "We Love Us" bit on the radio). I loved their energy and their music, but bizarrely, I don't remember seeing any pictures of them for a long time, but I think I would have loved them all the more for their New Art Punk look. I loved the idea that they had the original plan of selling umpteen million copies of Generation Terrorists and then splitting up in a blaze of glory. The opening salvo of "Slash and Burn", the first track on the album, is possibly the greatest statement of intent by any band anywhere, ever. James Dean Bradfield's guitar starts off fast and furious and just gets faster and more furious. (Apparently, Richey Edwards used to dare him to play faster...)

So, time went on, and I bought their second album, Gold Against The Soul. By this time, I'd started to twig that the Manics might be a little, well, political. I don't do politics. It brings me out in a rash. And yet I loved this very intellectual, very political band. Most of the time it didn't matter, because you couldn't understand what James Dean Bradfield was singing anyway. To this day, I still don't have a clue what half the lyrics to their early albums are, I just have to hum along until I get to the bits I recognise...

And in 1994, I went to the USA, and the Manics released their last album with Richey Edwards before he disappeared, The Holy Bible. Although it didn't do too well on first release, it has since become regarded as their masterpiece. I however don't get it. It's not to say I don't like it, I just don't get it. Maybe it's because I was out of the country (the Manics weren't big in Flagstaff), but it had absolutely zero impact on me. It took me a few years to buy it (well after Everything Must Go, and possibly even after This Is My Truth, Tell Me Yours) and I've never really got a handle on it. The lyrics were mostly written by Richey, and weren't exactly full of the joys of spring. Maybe it's just too much for my sunny disposition. Don't get me wrong, I like a bit of angst as much as the next guy, but songs about anorexia and whatnot are a bit too much for me.

Then the Manics released Everything Must Go and suddenly they were beloved of your Ben Sherman-wearing lad out on the piss: "We don't talk about love/We only want to get drunk", who as usual, completely miss the point.... Never mind, the album was great, and since then they haven't put a foot wrong in my opinion. I even love Lifeblood, seen by many as their nadir, before their solo work and then the "back to form" album, Send Away The Tigers. When I went to see them on their Forever Delayed Greatest Hits tour, I was totally blown away. It's probably the best gig I've been to in terms of the inspirational effect it had on me. Not that I picked up a guitar and started to write songs, that would be too much like positive action for me. But I wanted to. I couldn't believe the noise these three men made, with James tearing up his guitar and the stage, Nicky loping about like a bass-playing giraffe, and Sean creating thunder at the back. It was incredible.

The good news is that there's a new Manics album due out next month. The not-so-good news (for me) is that it's based on notes and lyrics left to the band by Richey Edwards before his disappearance. So in effect, it's The Holy Bible, Part II. Could be good. I hope it is. No doubt I'll buy it, probably on the day it comes out. I'm strange like that.

So that's me and the Manics. A strange love affair. But a wonderful one.

Review: "Wild Boy: My Life in Duran Duran" - Andy Taylor

Duran Duran were probably the first band that I really loved - not just in a "oh, they make good songs" kind of way, but in a "wow, they're really great" kind of way. I loved John Taylor's funky bass playing (just listen to some of those bass lines), Nick Rhodes' cool and funky synth lines, Roger Taylor's power drumming ("Wild Boys"), and Simon Le Bon's perfect pop voice (and lyrics, which as every '80s pop band knew, shouldn't be easily understood, and if you could hear them, they shouldn't make sense) but I never really got Andy Taylor's contribution to the band. Not that the guitar parts weren't important; his acoustic work on tracks like "Save A Prayer" is fantastic, but he always seemed to me the outsider, the "rock" star who had wandered into this "pop" band, and would prefer to not be wearing the make-up and tea-towel clothes.

Andy's book, Wild Boy: My Life in Duran Duran confirms much of this feeling. He was the last member to be recruited to the band, having been gigging with various rock bands around Europe, and was one of the first to leave (and the only member to leave twice!) when things went a bit wonky. His story is one of antagonism with various members of the band (and management and record company) at one time or another, but what also comes across is his attempts at trying to keep everything together when the excesses of being one of the biggest bands of the '80s were taking their toll.

Andy tells his story with a great sense of humour and realism. He doesn't shy away from the problems he had with drink and drugs, but neither does he gloss over them, or even moralize about them. He talks frankly about the problems within the band and reveals why he had to leave the band in the mid-eighties, and then again after the reunion.

What has struck me is how much I now appreciate his contribution to one of my favourite bands. He reveals that his favourite Duran song is "The Reflex", (the same as mine) and also reveals the struggle the band had to get the Nile Rogers remix of the song released by the record company in the USA. The problem? It apparently sounded "too black"! The band (especially Andy) fought to get it released, and it became their biggest single of all, showing that record companies don't always know what's best.

This is the first official autobiography of Duran Duran, and as such it obviously has its shortcomings, as the band still carried on without Andy during the second half of the eighties and into the nineties. Andy understandably glosses over this time (as the book is subtitled "My Life in Duran Duran"), but he also doesn't recognize the fact that the band did quite well without him (especially the Notorious and Duran Duran - The Wedding Album albums.

Hopefully, this book will drive one of the other band members to give their side of the story. Nick Rhodes would be ideal, as he's the only member of the band to have survived from their earliest Rum Runner days all the way through to the present day. Until then we'll just have to make do with Andy Taylor's, which isn't a bad thing after all. (You could also try Steve Malins' unauthorised biography Notorious, which is also quite entertaining.)

Matinée Club

Once upon a time, there were a bad called The Modern, and I thought they were rather good, when I heard their song "Suburban Culture" which was given away by iTunes as their Single of the Week. Eighties electro-pop, very Human League, with a diva-esque front woman called Emma (who once played the young Pat Butcher...) and a bloke with an odd voice called Chi.

Time went by, the band released a couple of singles, but the album never appeared, and their website seemed frozen. "Oh well," I thought, "another great band down the dumper before they've gone anywhere..."

And then today I checked their website to find that it had disappeared altogether. So I Googled them to find out what had happened, and it turns out that they've renamed themselves Matinée Club and have a new website (except it's a lot like the old The Modern website) at www.MatinéeClub.co.uk!

Not only that, but they've finally got around to releasing their album on iTunes, called Modern Industry. It contains most of their tracks as The Modern, plus some new ones (and a cover of David Bowie's "Modern Love")

There's more to the story, which you can find at Wikipedia if you're interested, or check out their MySpace page.

Kylie and the Daleks!

Not long to go now until the Christmas Doctor Who special, starring Kylie Minogue as a maid on the Titanic (last seen crashing into the TARDIS...), and to celebrate, the cover of the new issue of Doctor Who Magazine features our favourite pop princess posing in a slinky gold dress with one of Skaro's finest.

Apparently the issue (out 13th December) features a giant poster of Kylie anda Dalek too! Find out more here!

Oxygene hits 30!

Yes, Jean Michel Jarre's groundbreaking album has reached the grand old age of thirty! One of the original hippy-trippy electronic albums hads now been kicking around for three decades, and to celebrate, Jean Michel Jarre has, um, released it again.

OK, so the new version is a totally new "master recording" recreated using the original score and original analogue synths, to create a new version. The reocrding sounds, well, exactly the same. I'm sure some of the hardcore Jarre-nerds have spotted some diferences, but to me it just sounds nice and clean (although there are a few noisy sections (original samples?))

OXYGENE Jean Michel Jarre

Equinoxe on the Rocks

This fantastic track has been flagged up on the Jean Michel Jarre Yahoo! group recently. It's a cover version of Jean Michel's 1978 track Equinoxe 7 by a Norwegian musician called Per Kristian Risvik, and as the name implies, it rocks. The original track is a lot quieter, but still quite driven and exciting. Per Kristian's version just layers in a heavier, pounding bassline and some truly thunderous drums, giving it a more powerful, almost live feel (similar to the version found on Jarre's Houston/Lyon live CDs).

It's well worth a listen, and if you like it, check out some of Per Kristian's other work, which includes some original pieces as well as covers of the Doctor Who theme and the Super Mario jingles!

Click here to listen to Equinoxe on the Rocks

Oversol say... no more!

Sad news just in from Oversol. Best to let the boys say it themselves:

To all our lovely Oversol fans,

Firstly we want to wish you all a very Merry Christmas and a Jolly New Year!

Unfortunately in the Oversol camp, we have some sad news. Although we have had such a great time being part of Oversol and have had many laughs on the way, Tom and then Aaron felt that it was their time to move on. As for the rest of the band, we feel that it would be an impossible task to fill their amazingly talented shoes, and it has therefore resulted in the closing of a chapter in our lives too.

We want to thank you all for your amazing support, for all the CDs you bought and the gigs you sang your hearts out at! We hope you have enjoyed Oversol as much as we have. Who knows, you may see some of us venturing out in other things soon!

Love from Oversol 
========================

As a token of thanks for your support over the last few years, we'd like to give you a little something to remember us by. After rooting through the Oversol archives, we've found some recordings that you may not have heard, and we thought it would be nice to share them with you. So if you visit Oversol.co.uk then you'll find 4 EPs to download - totally free of course! We're giving away 17 tracks, ranging from demos which were recorded back in 2003, to acoustic versions, to more recent recordings. It's been interesting listening back to the old stuff, and hearing how our sound changed over the years - there's certainly a variety of material there, in terms of both style and quality! Hopefully you'll find something to enjoy.

As we said in the announcement above, it's been a lot of fun. Enjoy the festive season and hopefully we'll see you again in the future.

Love from Aaron, Mogs, Nathan, Rees and Tom xx

So there you have it, the end of another great hope for the future. Who knows, maybe if more people had bought their stuff then they'd still be going, but that's life. We here at the 'Slut wish them all the best for the future - and thanks for all the free stuff!

The Great Coca-Cola/iTunes Giveaway

So here's how it works. You buy a bottle of Coke, and on the back of the label is a code. You type that code into iTunes and you get a free download. So far so good, Coca-Cola sells lots of its lovely fizzy beverages and the punter gets lots of free songs. But - and here's the catch - you can only have five songs per person. So, no matter how much Coke you drink, you can only have five songs.

Now it seems to me that this is all a bit, well, screwy. If Coke had printed the codes in a few bottles, rather than every single one, then people would buy more Coke in order to find the free songs. Better still, there could have been a scale of prizes, from single downloads, to multiple downloads, up to an iPod, iMac and ten thousand free downloads. I know I'd have been buying Coke till it came out of my ears.

Oh well, maybe I should go into marketing.

The Return of Scritti Politti: "White Bread, Black Beer"

Ever since the release of 1999's Anomie & Bonhomie, things had been a mite quiet on the Scritti front, but then things started to happen. Green Gartside played a couple of gigs under the name Double G and The Traitorous 3 (the first time he'd ventured on stage in about 25 years), and rumours were flying around about a new album, due to be released in April on Rough Trade, the label they'd started off on, back in 1982.

And on May 29th, White Bread, Black Beer was released to the world, and to outstanding critical acclaim. A much more stripped-down affair, the album was written, produced and recorded by Green in his own home in Peckham. Gone were the hip-hop influences (intrusions?) of Anhomie & Bonhomie, to be replaced by a more acoustic (guitars!), more laid-back feel. Songs with titles like "The Boom Boom Bap" feel like they should have the verve and boisterousness of Provision's "Boom! There She Was", but it's actually a beautiful, mellow song - albeit with a trademark Scritti booming bassline.

The album has a stealth-like quality, sneaking up on you. At first listen, fans of Cupid and Psyche '85 (Best Album in the World, Ever) may not like it's subdued quality, but then the sheer beauty of Green's androgynous vocals, looped and harmonized will take hold of you, seducing you and drawing you in. Green's trademark turn of phrase is still present: "Coming with the force of an illocution", "small paper packages washed down with gin" and "You bet your Petrococadollar"

It's been a long time coming, but it was worth it. Better than Cupid and Psyche '85? Not quite, but it comes a definite second - as another reviewer said, this is the album Provision should have been, after its heralding single "Oh Patti (Don't Feel Sorry For Loverboy)". In short, this is a truly beautiful album, and well worth a listen. Get it here now!

Scritti Politti in Mercury Music Prize shock!

D'oh! I missed this last week, and only found out about it when I went into HMV and saw their nominee display. Should help Green shift a few more copies, even if he doesn't win - and there's some stiff competition. The Arctic Monkeys are obviously favourites, but with Muse and Thom Yorke in the mix anything could happen.

"BBC NEWS | Entertainment | Arctic Monkeys lead Mercury list: "The Arctic Monkeys are favourites to win the 2006 Mercury Music Prize after the shortlist was revealed in London.
Albums by Radiohead singer Thom Yorke and rock bands Muse and Editors are also up for the award for the best UK or Irish album of the past year.
The other nominated albums are by Guillemots, Sway, Richard Hawley, Hot Chip, Isobel Campbell, Scritti Politti, Zoe Rahman and Lou Rhodes.
The winner will receive a �20,000 cheque at a ceremony on 5 September."

'Right time' for Cerys' comeback

She's back! Ah, the lovely Cerys Matthews (formerly of Catatonia) is back in the UK for a new tour and to promote her new album, Never Said Goodbye. If you missed her last album, Cockahoop, then I seriously recommend you find a copy, 'cos it's really rather good.

BBC NEWS | Wales | 'Right time' for Cerys' comeback

The Official Cerys Matthews Website

Adam Ant: Extra Wonderful!

Unlike me to let something like this pass me by, but then I only seem to have missed it by a few days. Yes, there is new Ant material ont' web. The digital album Extra Wonderful has been released to an Ant-hungry world. So, here's the story....

In the early 1990s, Mr Ant and Mr Pirroni hoiked themselves off to Capitol Records and recorded an album called Wonderful, which, although a very good album, failed to reignite their careers. The title track was a minor hit both sides of the Atlantic, and then two further singles failed to do any significant business. And so, that was that, Aside from umpteen collections and the excellent Remasters project, there has been no new Antmusic to speak of, despite rumours and pipe-dreams. And so, we now have Extra Wonderful.

Essentially a collection of B-sides and remixes, there are a few hidden gems here. There are the B-sides to the three singles ("Wonderful", "Beautiful Dream" and "Gotta Be A Sin"), the highlight of which has to be "Phoenix". The remixes are essentially unremarkable, but there is a decent new spin on "Beautiful Dream" (though the two versions seem to be very similar).

You also get an excellent set of live tracks, ranging from "Cleopatra" to "Desparate But Not Serious" which are really rather good. I especially like their cover of Nine Inch Nails' "Physical (You're So)" (!).

So, another set of tracks for the Ant-completist. The whole lot comes in at a hefty £13.99, but you do get 22 tracks. Worth it? Yeah, probably. Wonder if the "missing" MCA album (recorded after Manners & Physique) will ever turn up?

Download it here:

Well, I've been busy, y'know...

Sorry it's been a bit quiet here recently. I've been a bit busy this year (see Rabbits' Blog for details). And I even started writing this entry 2 months ago....

So, what's been happening, then? Well, I was going to do a review of 2005, but that kinda went out the window. In summary, I think that the best single of 2005 was "Galvanize" by the Chemical Brothers. It was a close run thing with the Ivor Novello-winning "Wires" by Athlete, but I think the Chems just clinched it with their barnstorming dance track. However, album of the year goes to Athlete for Tourist, because it's just so incredibly good. Breakthrough act of the year goes to The Chalets, not just for bringing out a stonkingly good album in Check In, but for managing to get an album out when other DPS-supported acts (such as The Modern and Oversol) still haven't managed to deliver the goods. We're still waiting, guys. Live act of the year goes to the incredible Pop Will Eat Itself. The sweaty night in January at Shepherd's Bush Empire will be remembered for a long time. The Poppies also get the Good Thing award for reforming and putting on all the concerts (bless 'em), and teasing us with the Sonic Noise-Byte. (However, they're also the winners of this year's Bad Thing, for going and splitting up again... Sigh...)

Right, well, hopefully I'll be a bit more back on track from now on!

Oversol - new site, new tour, new single!

"Speed", the debut single by Oversol is released on November 28th! To celebrate, the lads are going on tour, and have unleashed a smart new website: Oversol.co.uk. You can hear a snippet of the new single, plus bits from all their previous EPs.

The song sounds great, a little like their big brothers, Athlete, but with their own spiky edge. Buy it when it's out - you know it makes sense...!

The End of an Era...

Alas, as I write this, the last moments of Christian O'Connell's Breakfast Show on Xfm are playing out. It's almost as emotional as when Simon Mayo left Radio 1. Still, I'd like to take this opportunity to thank Christian, Chris Smith, Roque and Brian the Idiotic Assistant for five years of making the trip to work bearable (and sometimes making me cry with laughter so much I could hardly see the road). You will be missed, my friends (even if I never did get a T-shirt...!)

The Lovely Lauren Laverne™ takes over in a week or so. I'm not saying it'll be the same, but I'll keep an open mind. At least it wasn't bloody Richard Bacon.

Pop Will Eat Itself - 04.11.05

Just got this message from the PWEInation website: "we'd love to see you on the site some time in the next two weeks...... who knows what you might find?", so I go there: pweination.org If you click on the huge "04.11.05" you get taken to the forum. There's a thread under Reformation (the name given to the set of concerts at the beginning of the year), but no actual information. (and then Safari crashes for some reason!) The crafty so-and-sos are keeping us guessing...

My guess is that it's a new series of gigs rather than a new album, but here's hoping...

Um... The Chalets New Album...

Sorry, I appear to have dropped the ball on this one... The Chalets new album, Check In, actually came out at the beginning of the month, and I didn't know. Forgive me? I'm going to see if I can get hold of it today in the shops, or else I'll have to get it off Amazon (hey, I'm just an old-fashioned guy who likes the shiny plastic cases...!). Anyway, you can get it off iTunes here:

I've had a quick listen to some of the samples, and it all seems chock-full of the same quality goodness of their debut single, "Feel The Machine" (which you did buy, didn't you?) I'll let you know what the whole album's like when I get it. Probably. You're still waiting to hear what I thought of Shelly Poole's Hard Time for the Dreamer (beautiful music, possibly a touch too much Radio 2), and t.A.T.u.'s Dangerous and Moving (not as good as their first one), aren't you?